The Other Side of the Mirror: Bob Dylan at the Newport Folk Festival
The American Cinematheque at Hollywood's Egyptian Theatre is a good place to see a movie. The audiences are of varied ages, and not so relentlessly young and hipsterish that I think I'm living in the land of Logan's Run.The lady who sold me popcorn was older and sullen, rather than young and sullen, and looked a little like Janice from The Muppets. I felt like I was in Cambridge.
Recently I saw a double feature of documentaries presented by director Murray Lerner: The Other Side of the Mirror: Bob Dylan at the Newport Folk Festival, and Festival, which still spent a lot of time with Dylan but which also focused on Odetta, Johnny Cash, and dozens of other acts from the festivals of 1963-'65.
I enjoyed the first movie, released this year, because I hadn't seen a lot of the footage before. While the climax was obviously Dylan's "going electric" with "Maggie's Farm" in 1965, footage of the younger Dylan with Joan Baez tuning his guitar for him (no wonder they broke up), Dylan actually smiling, and Dylan interacting - albeit minimally - with the audience were fun to see.
The myth is that Dylan surprised the crowd with electrification in '65, and that he was booed. While we can hear boos from the audience, and while his acoustic encore is greeted with almost palpable relief, there were no cries of "Judas!" like he got when he took the act to England.
Director Lerner spoke between the movies.
"Remember, I was there," he said in response to the mythology that has been generated by Dylan's final performance at Newport, "and people swear to me that it was the audience booing or the journalists booing or people behind the stage booing. There were selected people booing, and it came mostly from the journalists."
Festival, released in 1967, was by comparison a much better movie. It was edited with audience and band interviews, and was more reminiscent of the Maysles Brothers' later Woodstock film than the raw presentation of chronological Dylan footage that made up Other Side of the Mirror.
My favorite parts of Festival were Odetta's performances. She brought the house down. And Peter, Paul, and Mary (especially Mary Travers) put on a great show, while Peter Yarrow seemed a little toolish and Joan Baez seemed in love with her voice to the detriment of the music. When I am an old man, I want to dress like Son House and Mississippi John Hurt, on alternate days.
Festival also featured cloggers, a jug band, and the Georgia Island Sea Singers. I can imagine that none of them knew what to make of Dylan, and Donovan, and Baez. Still, everyone seemed clean cut.
The biggest letdown for me was that Phil Ochs was not included. He was a Newport mainstay but was always overshadowed by Dylan. Very little footage of him exists.
I am looking forward to the release of Roy Karch's "Underground Tonight Show", a New York City cable access show from the 70's. It featured a drunken performance by Ochs in his decline that was still very good. The rights are still up in the air, so I am not holding my breath.
Buy: Festival
Labels: los angeles, movies, music, pop
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by Marty Barrett at Thursday, November 01, 2007
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